If you think you can’t draw, this course is for you! This jumpstart into drawing expands the student’s ability to perceive and render the world around them. You will be introduced to contour drawing, gesture, mark-making, approaches to basic portraiture and figure drawing without measuring, and more. Don’t worry, you don’t need to know what all of this means!
No experience necessary. 😉
SUPPLY LIST: Bring your 2B pencil, an eraser and a stack of inexpensive paper or a sketchbook
TUITION: $95 incl GST
TO REGISTER: Please email val@valnelson expressing your interest. An E-transfer secures your spot! Please send to email@example.com
LOCATION: 2270 Cliffe Ave, #228b
Cancellation policy: Please provide 7 days’ notice if you need to cancel, at which point you can receive a credit toward a future class.
Six 3-hour sessions, Tuesdays 4-7pm: Jan 16, 23, 30, Feb 6, 13, & 30
Location: Val Nelson Studio, 2270 Cliffe Ave, Suite #228b
I so love teaching this class because I get to watch my students quickly move forward with their painting technique. My goal is for you to gain confidence to paint independantly in your home studio, and have some fun.
Not sure if this class is for you? Below are some common questions I am asked that I hope will inspire you to jump right in and get the paint flowing:
“Do I need to have painted before?” Some of my students are taking up their paint brush for the first time. We all knew how to make art when we were children. We were born creative! It’s just that some of us kind of forgot somewhere along the way! Be assured, it does come back with a little coaching. Some of you have enjoyed playing with paint and experimenting, but may have felt frustrated because of some technical questions you just couldn’t find a way around. That’s where I come in!
“I don’t really know how to draw.” Don’t worry! Learning to paint is largely allowing yourself to open up your perception. I take you step-by-step through a process that helps you train your brain to learn how to see more deeply. It’s super cool. In fact, you might even notice that as you expand your abilities in painting, you see the world around you differently too.
“What will I learn?” In six information-packed three-hour sessions, you will learn important steps to building an acrylic painting using a loose, impressionistic approach. As you paint a simple still life, I give demonstrations to help you understand the block-in, develop your work with more detail, and learn about how value, basic colour theory, edge control, and brushwork can be used to create a dynamic painting with strong structure. By the end of the class, you will have begun and possibly completed your own personal project.
Below is the final project of a student who had only “dabbled a little with watercolor” and done some introductory drawing with me before completing this course:
“Yikes, that sounds complicated!” Nope. The class begins with limited colour and gradually expands to full-colour projects. And the class size is small, so you get plenty of one-on-one instruction.
“I have a crazy schedule. What if I have to miss a class?” If you must miss a class, I will do my best to fill you in when you return.
“Great! When does it start, and how much does it cost?” Classes start Tuesday afternoons, 4-7 pm beginning January 16, 2024.
TO REGISTER: Please email val@valnelson expressing your interest. Payments made via E-transfer to : firstname.lastname@example.org 778-865-2650
Cancellation policy: Please provide 7 days’ notice if you need to cancel, at which point you can receive a credit toward a future class.
I offer in-person classes for up to five students at my professional art studio in Courtenay, Vancouver Island. Check the Classes menu above for current offerings. These often include Painting for Beginners, my One-Day Drawing Crash Course,Painting Skill-builder, Landscape Painting, and sometimes my Loosen Up! painting course. If you have a class idea you would like me to offer, let me know.
Take a look below to see other options that are available, such as private lessons, lessons for two, drawing and painting demos, mentorship for serious students wanting to build a professional art practise, and art talks. I am also offering Zoom classes depending on space in my schedule. Feel free to reach out if you would like to learn with me! email@example.com
GIFT OF ART Coupon: Do you have a loved one you would like to inspire through gifting them with a class coupon? Email me and we can set that up! firstname.lastname@example.org
CUSTOM PRIVATE CLASSES for Individuals and couples – Bring a friend, family member, or co-worker! I design lessons just for you, based on your needs and your schedule. You get plenty of personal attention in these intimate classes! Choose from some of the lesson ideas in the Class Menu, or let’s chat and come up with a plan.
Privates: $120/hr / Package of 4 hours $425
Classes for two: $160 / Package of 4 hours $640
Group Classes: $400 half-day / $750 full day (half-day is 3 hrs/full day 6 hrs)
Artist talk: $350
Painting Demo: $350
*Cancellation policy: Please provide 7 days’ notice if you need to cancel, at which time I will be happy to credit you toward a future class within a year of your class purchase.
About the Instructor: For Val, painting is an act of devotion, offering a profound pathway to self-realisation and transformation. “Pigments have a consciousness. When I paint, I imbue these materials with the focussed energies of my heart, mind, and gestures of my body. The pigments absorb these energetic frequencies, and project them back out to the viewer. Painting is its own language, beyond words and the limitations of the logical mind.”
A former professional ballet dancer, Val went on to study at Emily Carr University, where she graduated in 1988 with honours and received the Helen Pitt Award. A finalist in the Royal Bank Painting Competition, Val has been painting full-time since 2003, exhibiting for a number of years at Bau-Xi Gallery in Vancouver and Toronto, and Galerie de Bellefeuille in Montreal. She has attended residencies at Vermont Studio Centre and St Georges’ Senior School in Vancouver, and has taught painting at the Shadbolt Arts Centre, Emily Carr University, Vancouver Island School of Art, and since 2009, out of her private painting studio. Her work is in public collections including Canada Council Art Bank, Surrey Art Gallery, Vancouver General Hospital, and many private collections. Val has 1800+ students and five-star reviews for her online painting course with Craftsy.
Okay I’m in, I have a new studio! So great to spread out and have a real art-making space once again. Now that I’m sure I am staying in Courtenay I decided it’s time to put down roots. I’m thrilled to share this new bright space with you, a quirky old office building very near downtown. There is a bank of four windows facing east so I get some gorgeous morning light, then it evens out the rest of the day for fantastic painting illumination.
The Courtenay River is a half-block away so I can ride my bike to and from work, and take airy walks to view the ever-changing estuary and observe the bird and rabbit action (yes, rabbits!). Oh and there is a Bean Around the World just five minutes’ walk away for a little social time and great coffee.
Those of you who have signed up for my most recent course please take note of my new address:
#228b-2270 Cliffe at Mansfield Centre in Courtenay. It’s near the Airpark on the main drag before you hit downtown (that is if you are travelling north).
Do you feel a bit stuck in your painting process? Do you yearn to find your own “style” and get out of your own way in the studio so you can have more fun? Part of the solution lies in mindset, and part of it is technical. By working through a series of painterly problems, you will come away with a number of strategies that you can apply to your refresh your studio time beyond the lessons.
Some experience recommended. Oil or acrylic. Supply list provided upon registration.
I was supposed to be in Paris with my sweetie in March this year, but we had to postpone our trip almost at the last moment when the global pandemic developed with such surprising speed. Since we won’t be going anywhere for a while, I’ve decided to share with you some events from my five week dream stay in Paris in 2017.
What made the trip extraordinary was that there was a very real chance it could never happen.
In late summer of 2016 I made my plan: I’d wake up in Paris on April 1 (my birthday), live six weeks in Paris “like a Parisian”, then move on to teach a two-week painting workshop in Tuscany. Then I’d wrap up my trip by meeting a friend to see the Venice Biennale. Très excitant!
Everything was on track: I had ramped up my entrepeneurial chops by meeting my financial goals through selling my art; my Tuscan painting holiday was close to fully booked; I had bought my air ticket to Paris, and booked an AirBnB for a really great price.
Ooh la la, I was stoked. I was so amazed that I was making this dream a reality. But I was a bit tired from all this activity. So I took a little break in California to get some sunshine. This is me practicing plein air in Palm Desert on November 29.
On November 30 came the car crash.
The next several months I spent convalescing. I had a concussion, a broken clavicle (my painting arm), major whiplash, and for a while I had difficulty walking. And I couldn’t paint. Argh. I lay awake unable to know what to do. Should I cancel my trip?
It was my dark night of the soul. Since I couldn’t be in the studio, and I love making the most of my time, I thought it would be a good idea to work on my “art career”. When I began working with two different life coaches, it became obvious that what I really needed to address was some deep stuff within myself. So I spent the winter in meditation, and began sorting it all out.
By mid-March, even though I couldn’t yet lift my suitcase, my doctors and physiotherapists deemed me well enough to go to Europe. Hurray! I could spend some of my convalescence in Paris––pas mal, non? I figured sitting in some cafés, looking at art, and maybe making a few drawings should be fine, and I would likely be much stronger by the time I got to do the working portion of my “holiday” in Italy, so things were looking pretty rosy.
Then, the vertigo kicked in. Or what I later learned is actually something called “disequilibrium”. But more on that later.
At any rate, I was still able to leave for France only two weeks later than planned.
When I arrived on a sunny mid-April afternoon and found my new home in the 11th arrondissement, I remembered that I had booked my accommodation the previous fall knowing full-well that there was no elevator. And my suite was on the sixth floor. That’s one of the reasons it was so cheap!
Although I usually like to travel light, my suitcase this time was extra large because of the length of my stay, and the fact that I had brought along art supplies for my upcoming painting workshop. Because I had been in “business” mode for four months, I also had foolishly brought along office supplies, including a stapler that must have weighed nearly half a pound! What was I thinking? Okay, I’ll give myself some slack, I was after all recovering from a concussion.
Needless to say, there was no way I was going to be able to get my stuff up there the normal way. So I treated the ground floor like base camp, and gradually decanted things up the long spiralling staircase over several stages.
The place was pretty tiny, and obviously they’d got most of their decor from Ikea. But I was in Paris!
Stay tuned for more Parisian adventures in my next installment. Meanwhile, I thought I’d pass along a tip on a très charmant online show I’ve been escaping into lately during the coronavirus pandemic. It’s called Little Paris Kitchen, hosted by Rachel Khoo, a young British Cordon-Blue trained chef who demystifies French cooking for us in her tiny Paris flat. She turns her little place into a restaurant at night that can only seat two people at a time! You can find it on CBC Gems and watch it for free.
For the first time at the Culture Crawl I’m offering a limited edition print of one of my paintings, Rush Hour. There will be only 10 in the edition, 10 x 10 inches on archival paper with archival inks. A framed sample beautifully put together by Fine Art Framing will be on display in my studio. I will be taking orders for this and a few other limited editions also available at a price point that allows for affordable gift-giving, for a loved one, or for yourself!
Rush Hour, 10 x 10 inch limited edition print on archival paper
Also available: A 50-page book of select paintings from twelve years of my Tourist series.
As well you will find six new paintings, and a drypoint print, Syon House Interior that I recently re-discovered in my print portfolio, along with some framed 7 x 7 inch 3-colour pencil crayon drawings.
Roundhouse Community Arts and Recreation Centre | 181 Roundhouse Mews FREE | No registration required
Join artist Val Nelson to create a spectacular 135-foot long collaborative drawing exploring contour and motion, the individual and the ensemble. Stay for a few minutes or a few hours working with gesture and contour to capture the dynamism of live dancers as they create movement. Participants of all ages and experience are welcome.
Val Nelson has a diverse interdisciplinary arts practice as a dancer and visual artist, film-maker and educator. She was a dancer with the Royal Winnipeg Ballet, then majored in Media Arts with Honors at Emily Carr University in 1988. From 1988-2001, she made collaborative dance videos with Holy Body Tattoo, choreographer Anthony Morgan, and Katherine Labelle Dance, that screened worldwide. In 2003 she was shortlisted for the Royal Bank Painting Prize, and from 2003-2016, had eleven solo painting exhibitions in Vancouver, Toronto and Montreal. In 2012 Val began research on her project I Am A Camera which “archived” recordings of dance and opera performances through her eyes, nervous system, and hand onto paper. In 2016 she expanded on the project with seven-foot wide drawings, made in collaboration with Kokoro Dance, dumb instrument dance, and Sujit Vaidya. Her drawings were exhibited at the 2016 Vancouver International Dance Festival.
The Roundhouse is the Vancouver Park board’s only solely dedicated Arts and Culture Community Centre. The historic building is home to a 200 seat black box theatre, a 2500 foot exhibition hall and artist in residence projects in dance, music and the visual arts as well as a full roster of recreation programs
It is also the home of Engine 374, the locomotive that pulled the first passenger train across Canada from coast to coast.
I’m in the final stages of planning a painting holiday for early June 2017. Here’s a sneak peak of the location––a very old stone farmhouse and a charming converted tobacco drying tower in the Italian countryside, located just outside the little town of Mercatale, halfway between Umbertide and Cortona.
Students will spend five days of painting and soaking up the beautiful surroundings and bucolic Italian atmosphere.
Monday to Friday, there will be six hours of painting instruction each day–– three hours in the morning, then a break in the middle of the day for free time to explore the surrounding area and adopt the Italian spirit of “dolce far niente” (it’s sweet to do nothing). From 4 to 7pm we will reconvene and paint plein air when the light becomes more and more spectacular. Perfetto, non?
If you’d like to find out more, please send me an email: email@example.com