Painting and drawing, for me, are a form of sacred choreography.
I glean images from photos of my travels and my daily life, searching for an arrangement of objects in space that ignites what I like to call the “pure impulse”. This impulse calls me to immerse myself into the embodied spatial experience that is the act of painting.
In representing a face, a landscape, or objects in a room, it is as if I am touching them. When I connect the gaps between things, I connect with myself. This feels special, this feels important – I am changed, because I make.
