Living Room (below) has come a long way in six days. I guess Malcolm Morley was right: “if the inspiration is there, the process follows”. I think it’s well on its way.
The process of making a painting is rarely straight-ahead. Since I don’t work with formulas, each piece is a way of starting again. At the first lay-in (starting layer of paint) of a multi-panel piece, my initial excitement was followed by huge self-doubt. Convinced that I had begun a project impossible to complete, I pronounced the painting a failure, and turned the panels against the wall for about a week. In a brave moment, I showed them to some supportive painter friends, who thought the project worth pursuing.
If I feel a glimmer of excitement about the possibilities, that’s a good sign. These things never work out if I just do something because I think it will be good for me (martyrdom definitely not on the agenda).
Only through time and effort will I know whether I can pull it off. There’s still a possibility that three or four weeks of work will go nowhere, but I’m optimistic it will be worth the effort. Or will it?
This painting is based on a photograph sent to me by my friend and amazing artist, Chris Dorosz.