This excellent video by Ira Glass gives inspiring advice to creative people everywhere. It speaks to the fact that, when you’re first starting out on your artistic adventure, your work will fall short of your expectations. The trick is to MAKE A LOT OF STUFF. Through sheer persistence, and logging in a lot of hours you will get there.
In the 1990’s, when I was a dance videographer, I first knew Ainslie Cyopik as a sought-after dancer in Vancouver. A number of years later, I witnessed her retirement from professional dance and her beginnings as she started a small business designing dancewear.
Her success has been phenomenal, and her optimism and passion for what she does is a bit contagious when you meet her. The driving force behind AinslieWear, she has bridged the gap from professional dancer to professional designer. Having spent 15 years dancing with companies such the National Ballet of Canada and Ballet British Columbia, she often found the dancewear available didn’t quite fit right or meet the needs of long rehearsal days. Instead of “just making do”, she created a line of dancewear for herself with all the qualities she was looking for. Over the years, her reputation grew as a designer of dancewear clothing that not only looked great on, but was also made with a personal understanding of a dancer’s needs.
Carrying on her love for the art of dance and a true passion for the grace of its practitioners, Ainslie started a business focusing on her design and development of dancewear on a full-time basis in 1997. Today, AinslieWear bodysuits, known for their exceptional quality and fabulous fit, are worn by leading dancers and students alike, from Paris to Tokyo.
At left is Ainslie photographed in her first costume she made for herself at ballet school in her late teens. “I used two gorgeous dusty mauve shades of fabric and it flowed so well when I danced. I even kept a little piece of the fabric.”
More about Ainslie’s wonderful designs are on her website.