painting Archives - VAL NELSON

February 25, 2024February 25, 2024

PAINTING FOR BEGINNERS Apr 11, 18, 25, May 2, 9, 16

Six 3-hour sessions: THURSDAYS 4-7pm: Apr 11, 18, 25, May 2, 9, 16

Tuition: $425

Location: Val Nelson Studio, 2270 Cliffe Ave, Suite #228b

I so love teaching this class because I get to watch my students quickly move forward with their painting technique. My goal is for you to gain confidence to paint independantly in your home studio, and have some fun.

Not sure if this class is for you? Below are some common questions I am asked that I hope will inspire you to jump right in and get the paint flowing:

“Do I need to have painted before?” Some of my students are taking up their paint brush for the first time. We all knew how to make art when we were children. We were born creative! It’s just that some of us kind of forgot somewhere along the way! Be assured, it does come back with a little coaching. Some of you have enjoyed playing with paint and experimenting, but may have felt frustrated because of some technical questions you just couldn’t find a way around. That’s where I come in!

“I don’t really know how to draw.” Don’t worry! Learning to paint is largely allowing yourself to open up your perception. I take you step-by-step through a process that helps you train your brain to learn how to see more deeply. It’s super cool. In fact, you might even notice that as you expand your abilities in painting, you see the world around you differently too.

“What will I learn?” In six information-packed three-hour sessions, you will learn important steps to building an acrylic painting using a loose, impressionistic approach. As you paint a simple still life, I give demonstrations to help you understand the block-in, develop your work with more detail, and learn about how value, basic colour theory, edge control, and brushwork can be used to create a dynamic painting with strong structure. By the end of the class, you will have begun and possibly completed your own personal project.

Below is the final project of a student who had only “dabbled a little with watercolor” and done some introductory drawing with me before completing this course:

“Yikes, that sounds complicated!” Nope. The class begins with limited colour and gradually expands to full-colour projects. And the class size is small, so you get plenty of one-on-one instruction.

“I have a crazy schedule. What if I have to miss a class?” If you must miss a class, I will do my best to fill you in when you return.

“Great! When does it start, and how much does it cost?” Classes start Thursday afternoons, 4-7 pm beginning Apr 11, 2024.

TO REGISTER: Please email val@valnelson expressing your interest. Payments made via E-transfer to : val@valnelson.ca 778-865-2650

SUPPLY LIST provided upon registration

Cancellation policy: Please provide 7 days’ notice if you need to cancel, at which point you can receive a credit toward a future class.

February 25, 2024March 13, 2024

INTERMEDIATE PAINTING CLASS: Tues Apr 9, 16, 23, 30, May 7, 14

LET’S PAINT!

Are you finding working alone a bit challenging? Would you like the camaraderie of a painting group, and also wish you had some technical assistance to carry out your artistic goals? This could be the class for you!

Each three-hour session begins with a lesson or focus of study designed to expand your painting knowledge. The remaining two hours you will be given time to develop your own painting project, with tips and guidance from your instructor. Acrylic or oil.

Pre-requisite: Painting for Beginners or equivalent experience

Registering now:

INTERMEDIATE PAINTING

Six sessions: Tues 4-7pm

Apr 9, 16, 23, 30, May 7, 14

Location: Val Nelson Studio, 228b-2270 Cliffe Ave, Courtenay, BC

Fee: $425

TO REGISTER: Please email val@valnelson expressing your interest. Payments made via E-transfer to : val@valnelson.ca 778-865-2650

Cancellation policy: Please provide 7 days’ notice if you need to cancel, at which point you can receive a credit toward a future class.

SUPPLY LIST

Bring your usual materials such as paints, brushes, preferred palette, mediums (if any). No turpentine please for oil painterss (odorless mineral spirits good). Easels, tables are provided.

Please also bring to each class a practise canvas or primed (gessoed) canvas pad sheet 16×12 or 8×10″ for our one hour painting study.

Please bring your own project to work on for the remaining two hours.

Paint Colors: Bring what you have. I like bare minimum to have these: Titanium white, medium yellow or light yellow, yellow ochre, quinacrodone red, ultramarine blue, burnt umber, pthalo green

August 12, 2023February 25, 2024

CLASSES OVERVIEW

I offer in-person classes at my professional art studio in Courtenay, Vancouver Island. Check the Classes menu above for current offerings. These often include Painting for Beginners, Intermediate Painting, my One-Day Drawing Crash Course, Landscape Painting, and sometimes my Loosen Up! painting course. If you have a class idea you would like me to offer you or your art group, let me know.

I also offer private lessons, lessons for two, drawing and painting demos, mentorship for serious students wanting to build a professional art practise, and art talks. I am also offering Zoom classes depending on space in my schedule. See below for details. 🙂

Feel free to reach out if you would like to learn with me! val@valnelson.ca 778-865-2650

GIFT OF ART Coupon: Do you have a loved one you would like to inspire through gifting them with a class coupon? Email me and we can set that up! val@valnelson.ca

CUSTOM PRIVATE CLASSES for Individuals and couples – Bring a friend, family member, or co-worker! I design lessons just for you, based on your needs and your schedule. You get plenty of personal attention in these intimate classes! Choose from some of the lesson ideas in the Class Menu, or let’s chat and come up with a plan.

Privates: $120/hr / Package of 4 hours $425

Classes for two: $160 / Package of 4 hours $640

Group Classes: $400 half-day / $750 full day (half-day is 3 hrs/full day 6 hrs)

I offer customized in-person group art sessions for art groups, to nurture corporate and small business staff team-building.

Mentorship/Critique: $120/hr

Artist talk: $350

Painting Demo: $350

*Cancellation policy: Please provide 7 days’ notice if you need to cancel, at which time I will be happy to credit you toward a future class within a year of your class purchase.

About the Instructor: For Val, painting is an act of devotion, offering a profound pathway to self-realisation and transformation. “Pigments have a consciousness. When I paint, I imbue these materials with the focussed energies of my heart, mind, and gestures of my body. The pigments absorb these energetic frequencies, and project them back out to the viewer. Painting is its own language, beyond words and the limitations of the logical mind.”

A former professional ballet dancer, Val went on to study at Emily Carr University, where she graduated in 1988 with honours and received the Helen Pitt Award. A finalist in the Royal Bank Painting Competition, Val has been painting full-time since 2003, exhibiting for a number of years at Bau-Xi Gallery in Vancouver and Toronto, and Galerie de Bellefeuille in Montreal. She has attended residencies at Vermont Studio Centre and St Georges’ Senior School in Vancouver, and has taught painting at the Shadbolt Arts Centre, Emily Carr University, Vancouver Island School of Art, and since 2009, out of her private painting studio. Her work is in public collections including Canada Council Art Bank, Surrey Art Gallery, Vancouver General Hospital, and many private collections. Val has 1800+ students and five-star reviews for her online painting course with Craftsy.

I’m so looking forward to making art with you!

November 11, 2021March 11, 2022

THE PAINTED PORTRAIT

I will be demonstrating a copy of a 16th century anonymous master for the Chemainus Art Group next week. I did this open acrylic study on cardboard to prep for that. I used a very limited palette: Titanium white, yellow ochre, cadmium red, and raw umber, similar to the Zorn Palette but replacing black with the warmer umber. It’s fascinating to see how much range you can achieve with only four colours.

June 4, 2020June 4, 2020

Paris and Anticipation

I was supposed to be in Paris with my sweetie in March this year, but we had to postpone our trip almost at the last moment when the global pandemic developed with such surprising speed. Since we won’t be going anywhere for a while, I’ve decided to share with you some events from my five week dream stay in Paris in 2017.

What made the trip extraordinary was that there was a very real chance it could never happen.

In late summer of 2016 I made my plan: I’d wake up in Paris on April 1 (my birthday), live six weeks in Paris “like a Parisian”, then move on to teach a two-week painting workshop in Tuscany. Then I’d wrap up my trip by meeting a friend to see the Venice Biennale. Très excitant!

Everything was on track: I had ramped up my entrepeneurial chops by meeting my financial goals through selling my art; my Tuscan painting holiday was close to fully booked; I had bought my air ticket to Paris, and booked an AirBnB for a really great price.

Ooh la la, I was stoked. I was so amazed that I was making this dream a reality. But I was a bit tired from all this activity. So I took a little break in California to get some sunshine. This is me practicing plein air in Palm Desert on November 29.

On November 30 came the car crash.

Oops.

The next several months I spent convalescing. I had a concussion, a broken clavicle (my painting arm), major whiplash, and for a while I had difficulty walking. And I couldn’t paint. Argh. I lay awake unable to know what to do. Should I cancel my trip?

It was my dark night of the soul. Since I couldn’t be in the studio, and I love making the most of my time, I thought it would be a good idea to work on my “art career”. When I began working with two different life coaches, it became obvious that what I really needed to address was some deep stuff within myself. So I spent the winter in meditation, and began sorting it all out.

By mid-March, even though I couldn’t yet lift my suitcase, my doctors and physiotherapists deemed me well enough to go to Europe. Hurray! I could spend some of my convalescence in Paris––pas mal, non? I figured sitting in some cafés, looking at art, and maybe making a few drawings should be fine, and I would likely be much stronger by the time I got to do the working portion of my “holiday” in Italy, so things were looking pretty rosy.

Then, the vertigo kicked in. Or what I later learned is actually something called “disequilibrium”. But more on that later.

At any rate, I was still able to leave for France only two weeks later than planned.

When I arrived on a sunny mid-April afternoon and found my new home in the 11th arrondissement, I remembered that I had booked my accommodation the previous fall knowing full-well that there was no elevator. And my suite was on the sixth floor. That’s one of the reasons it was so cheap!

Although I usually like to travel light, my suitcase this time was extra large because of the length of my stay, and the fact that I had brought along art supplies for my upcoming painting workshop. Because I had been in “business” mode for four months, I also had foolishly brought along office supplies, including a stapler that must have weighed nearly half a pound! What was I thinking? Okay, I’ll give myself some slack, I was after all recovering from a concussion.

Needless to say, there was no way I was going to be able to get my stuff up there the normal way. So I treated the ground floor like base camp, and gradually decanted things up the long spiralling staircase over several stages.

The place was pretty tiny, and obviously they’d got most of their decor from Ikea. But I was in Paris!

Stay tuned for more Parisian adventures in my next installment. Meanwhile, I thought I’d pass along a tip on a très charmant online show I’ve been escaping into lately during the coronavirus pandemic. It’s called Little Paris Kitchen, hosted by Rachel Khoo, a young British Cordon-Blue trained chef who demystifies French cooking for us in her tiny Paris flat. She turns her little place into a restaurant at night that can only seat two people at a time! You can find it on CBC Gems and watch it for free.

A bientôt!

August 25, 2016August 25, 2016

Tuscany Painting Retreat Sneak Peek 2017

I’m in the final stages of planning a painting holiday for early June 2017. Here’s a sneak peak of the location––a very old stone farmhouse and a charming converted tobacco drying tower in the Italian countryside, located just outside the little town of Mercatale, halfway between Umbertide and Cortona.

Students will spend five days of painting and soaking up the beautiful surroundings and bucolic Italian atmosphere.

Monday to Friday, there will be six hours of painting instruction each day–– three hours in the morning, then a break in the middle of the day for free time to explore the surrounding area and adopt the Italian spirit of “dolce far niente” (it’s sweet to do nothing). From 4 to 7pm we will reconvene and paint plein air when the light becomes more and more spectacular. Perfetto, non?

If you’d like to find out more, please send me an email: val@valnelson.ca

ciao, Val

May 13, 2016December 4, 2017

FALL and WINTER PAINTING CLASSES & Demos

September 19, 2015October 5, 2015

FALL PAINTING CLASSES

Hey everyone, it’s studio time! Due to popular demand, I have a couple of things lined up for October and November. There will be a reprise of my one-day Painting Jumpstart Intensive, so dust off your paint tubes and jump in as we have some fun and push the paint around in a number of different ways. Also Open Studios returns for four sessions for those of you who have projects on the go and want structured time to get them moving forward.

I have a couple of things lined up for October and November. There will be a reprise of my one-day Painting Jumpstart Intensive, so dust off your paint tubes and jump in as we have some fun and push the paint around in a number of different ways. Also Open Studios returns for four sessions for those of you who have projects on the go and want structured time to get them moving forward.

PAINTING JUMPSTART ONE-DAY INTENSIVE

This class is full. Please email Val for information on the next one!

Sunday, October 4, 10am-3:30pm

This class will inject new energy into your painting process. You will be guided through a series of playful painting exercises on paper, which will include mark-making, colour exercises, and observational painting with a twist.

Fee: $80

Location: VAL NELSON STUDIO #322b-1000 Parker Street

TO REGISTER: An e-transfer is fine, or cheque to my home address will secure your spot. Two weeks’ notice for cancellation is required, otherwise the fee is non-refundable. If you need to cancel after the two-week window, if I can fill your spot, I will refund you.

Contact: Val Nelson val@valnelson.ca 778-865-2650

OPEN STUDIO

This class is full with a wait-list. Please email Val for information on the next set of classes.

Four Sundays, 2-5pm: October 18 & 25, Nov 1 & 8

Val will guide you as you tackle technical and conceptual concerns in your painting practice. In the company of like-minded painters, you will work on a personal project during the workshop. Each session will begin with a 30-minute painting warm-up exercise on paper.

Fee: $210

Location: VAL NELSON STUDIO #322b-1000 Parker Street

TO REGISTER: As space is limited, a $55 deposit is required to secure your spot, with the remaining fee payable upon first day of class. An e-transfer is fine, or cheque to my home address is good also. Two weeks’ notice for cancellation is required, otherwise the deposit is non-refundable. If you need to cancel after the two-week window, if I can fill your spot, I will refund you.

Contact: Val Nelson val@valnelson.ca 778-865-2650

LEARN PAINTING with Val ONLINE

I’ve been working with Craftsy, a company in Denver that specializes in interactive classes on cooking and crafting, which is listed among the top 30 start-up companies in America by Forbes, and is watched by 2.5 million viewers. They produced an online tutorial of my “Loosen Up” class, which you can access anytime, anywhere, and it is now online. Here’s a little story about how it all happened. 🙂

Some student testimonials on the Craftsy class:

“Val, I loved everything about these lessons. The way you communicated the step by step processes, taking us through from start to finish was easy to follow and clear. The filming was fantastic and the way you talked to us made me feel like I was in the room. You’ve inspired me!
Highly recommend this for any painter wanting to loosen up or just enjoy painting! Thank you.”

“Val Nelson’s experience with painting is a joy to watch and learn. Her approach is encouraging, informative, and she offers a variety of techniques of how to paint more loosely. She shows how painting in a more expressive way is about using the materials in a thoughtful and resourceful manner. I highly recommend this course to any artist who wants to learn how to paint in a more expressive style.”

“This class has revealed so many techniques that I have missing at my level of painting. Thank you for sharing your expertise. I’m self taught so my knowledge of the essential elements of composition, structure, and brush work is weak. This class has been so very valuable to my artistic journey. Thank you, Val Nelson and, once again, Craftsy!”

Here’s a link to my Craftsy class, and make sure you have a look at another class by my friend and awesome oil painter and teacher, Jay Senetchko–– Paint and Palette Essentials.

MORE ABOUT MY CLASSES

I paint full-time, so I teach when my schedule permits. In my studio in Vancouver, I can accommodate up to six students, so there is plenty of one-on-one attention. My classes are usually in six-week blocks (one 3-hour session per week), and sometimes I teach weekend and multi-day intensives. I’m also available as a consultant to aspiring professional artists, as a guest teacher at art-schools and for painting groups, and I occasionally give painting demonstrations.

Group classes at your choice of location: Full day (6-7 hours) $450 Half day (3 hours) $300
For classes outside of Vancouver, travel expenses extra.

Private Consultation/Mentorship: $65/hr

Demonstration/Artist talk: Honorarium appreciated

Testimonials: Click here if you would like to read about how others feel about my classes.

Email list: If you’d like to be notified of future workshops and classes, or would like to discuss other ways in which we could work together that could be potentially awesome, please email me : val@valnelson.ca

September 9, 2015September 19, 2015

Itness

Now that the cooler weather of Fall is here, I’m so grateful to be able to get back into the studio and paint paint paint. A little study I made last winter of a scene on my breakfast table has been calling to me. I painted it on an old envelope.

ValNelson-V5Y-web — Val Nelson, V5Y, 4.25 x 6.25 inches, oil on PVA on paper, 2015

The appearance of objects, and their quiet presence or “itness”, has long been something that really gets to me. I wasn’t sure about this humble image, but after much deliberation I decided there’s something about it I need to pay attention to.

So here’s a painting I made this week:

ValNelson-A-Room-in-Mount-Pleasant-web — Val Nelson, A Room in Mount Pleasant, oil on canvas, 14 x 18 inches, 2015

And I started another one:

my-apt-day-one — Day One: A Room in Mount Pleasant #2

For the next several months all I want to do is immerse myself in the wordless process of looking, and recording what I see. I’ve been tussling with a purist notion that I must work only from life; but the practicality of it has not been easy to deal with. The dimensions of my apartment limit me from painting there with an easel; a way around it could have been working very small, but to be honest I get very claustrophobic with all my painting gear cluttering up the place. My home is a sanctuary, where I can rest. So the solution is of course

photography.

This past year of working off and on from life has really helped me. Observing how light changes in a space over time informs how I now see colour, and I realize I have more freedom to mess around with what goes on in the rectangle. At the same time my drawing is getting better.

And my Ipad and Iphone now have those updated apps that have much better options for image correction.

You can see I’ve put grid marks on the canvas above. Having watched Antonio Garcia Lopez paint in the film El Sol del Mebrillo by Victor Erice I realized that within extreme control (measuring), one can then have great freedom (painterly interpretation). But Garcia doesn’t like working from photography. I’m okay with acknowledging I live in the 21st century and can use any technology I want, as did Bonnard, Vuillard, Degas, and those guys who probably used the camera obscura (Vermeer, Caravaggio). However, so far I’m not interested in actually projecting and tracing. I like drawing too much, and I feel like something interesting happens when I get things slightly wrong even though I’m trying to get it right.

June 11, 2015June 15, 2015

Madrid Travel Notes

Ahhh—the meditative experience of train travel, as the landscape floats gently by. After saying goodbye to Barcelona, a few hours later I arrived at the beautiful Atocha Station in Madrid.

Nelson-Atocha1-48x48-2015 copy725pixhigh — Val Nelson, Atocha Station, 48 x 48 inches, oil on canvas, 2015

I love the in-between spaces of travel, where time is suspended, and human presence, ephemeral.

Taking the handy metro from Atocha, I emerged in the Plaza Tirso de Molina, where I was delighted to find that my new accommodations overlooked this interesting view, great for people-watching.

Also, I didn’t at all mind the hit of colour in the hot pink bedspread.

First stop, the main reason for coming to sunny Spain: the magnificent Prado Museum, where I spent most of the day soaking up the fantastic works of Diego de Velázquez. No photography was allowed, but I did make a small drawing of one of his dwarfs, which Velázquez painted around 1645.

Velasquez made a number of paintings of jesters and dwarves for his patron, King Philip V, to be hung in the royal hunting lodge. Though these characters were employed as a source of amusement and entertainment for the Spanish court, Velasquez captures the intelligence and dignity of his subject, The Jester Don Diego de Acedo, el Primo.

890px-Las_Meninas_(1656),_by_Velazquez — Las Meninas, Diego Velázquez, 1656, (image courtesy of Wikimedia and Museo del Prado)

I spent several hours in the large room with Velázquez’ masterpiece, Las Meninas, and a number of fabulous Equestrian portraits. Alas, the one of the young prince Carlos was on loan to another museum.

I had previously painted a study of that one from a reproduction in my dog-eared book, Velázquez: The Technique of Genius, so I was looking forward to seeing the painting firsthand, having become so familiar with the master’s work.

But there were still plenty of top-notch painting chops to absorb, such as Goya, El Greco, and Bosch — oh my! But perhaps that is for another blog.

One gets hungry looking at so much art. Luckily on the road across from the Prado, you can visit the very fine Museum of Ham, or “jamón” as they say in Spain.

And behind the Prado is the lovely Buen Retiro Park, where you can eat and drink at little cafés, overlooking a peaceful lake. I returned here several times over the course of my eight days in Madrid, to rest up from the intensity of sight-seeing. There’s nothing like hanging around trees and water to help you recharge.

A friend from Vancouver put me in touch with her friend Maria who lives in Madrid. Her apartment has a view of the Palacio Real. Maria kindly served me tapas, and invited me back to photograph her lovely apartment in the daytime, as I was charmed by it and saw potential for new paintings.

2014-09-25-antonio-lopez-king-juan-carlos-portrait — Antonio López in his studio in front of his portrait of the Spanish royal family, nearly complete after 20 years. (Photo: Gonzalo Cruz/EP)

I was fortunate to be able to see an exhibition of royal portraits at the Palacio after my photo session. The show included a very good group portrait of the current Spanish royal family by contemporary Spanish painter, Antonio Garcia Lopez. The painting took 20 years to complete because, as the artist says, he was hindered by having to work from photographs.

Lopez, who usually only works from life, is an artist I have been admiring for some time now–there is a wonderful film, El Sol del Membrillo (Dream of Light) which unfortunately is only available in PAL format, so I have to admit that I sometimes look at a pirated Youtube version in Spanish with no subtitles. This award-winning film by Victor Erice is probably one of the best films I’ve seen on the life of a painter.

I also like to immerse myself in this very good book about Lopez.

garcia+lopez — Antonio Garcia Lopez, Gran Vía, August 1, oil on canvas 125x129cm, 2009-2011

Here is another of Lopez’ paintings. Isn’t it fabulous?

And here is a spot very close to where he made it. The Edificio Metrópolis building in the left foreground has been vastly improved by the shroud of a celphone ad.

At the Bellas Artes building, you pay a few Euros and take an elevator to the roof, where you’ll get a panoramic view of Madrid. Madrid’s Academy of Art has its headquarters here, and this is where Dali and Picasso were once students. I now know that there is also an excellent painting gallery there. If you visit Madrid, please go and visit it and tell me what you think.

hasta luego,

Val