Haptic Splendour

For the past fifteen years, I’ve painted images from my travels–mostly opulent European historic interiors, which I visit firsthand and photograph extensively. Constructed as theatrical displays of status and power for wealthy aristocrats and bourgeoisie, these formerly private sites are now museums, providing a space for philosophical contemplation and touristic consumption. With cinematic collision theory in mind, I sometimes crash these spaces with freeway traffic, construction sites, and nature parks,  playfully commenting on the yearnings and contradictions of contemporary life.

Although I use photography as a structural device through which I enter the painting process, with each piece I always seem to arrive at a point of crisis where I need to break free from the tyranny of the image. Through partly destroying the image I discover fresh solutions to painterly problems I set for myself.

Throughout my childhood and into my mid-twenties, I was a ballet dancer. That intense training of spatial awareness and interpretive questioning is still deeply stamped in my DNA. A painting to me is a kind of choreography; there’s a haptic dance that takes place from my optical experience of an image, through to the way my nervous system signals to my body how to translate and record it. As painter/dancer I tease out meaning through working and reworking, coming up to speed as I gain understanding, and making the last strikes with absolute commitment.

WE ARE A CAMERA at THE BIG DRAW 2016 VANCOUVER

Saturday, OCTOBER 1, 2016

10am – 4pm

Roundhouse Community Arts and Recreation Centre | 181 Roundhouse Mews
FREE | No registration required

Join artist Val Nelson to create a spectacular 135-foot long collaborative drawing exploring contour and motion, the individual and the ensemble. Stay for a few minutes or a few hours working with gesture and contour to capture the dynamism of live dancers as they create movement. Participants of all ages and experience are welcome.

A beautiful moment from The Big Draw. For a cool timelapse video, go to this link: https://www.facebook.com/val.nelson.3726/videos/t.590680665/10153674570930666/?type=2&theater

 

 

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Val Nelson has a diverse interdisciplinary arts practice as a dancer and visual artist, film-maker and educator. She was a dancer with the Royal Winnipeg Ballet, then majored in Media Arts with Honors at Emily Carr University in 1988. From 1988-2001, she made collaborative dance videos with Holy Body Tattoo, choreographer Anthony Morgan, and Katherine Labelle Dance, that screened worldwide. In 2003 she was shortlisted for the Royal Bank Painting Prize, and from 2003-2016, had eleven solo painting exhibitions in Vancouver, Toronto and Montreal. In 2012 Val began research on her project I Am  A Camera which “archived” recordings of dance and opera performances through her eyes, nervous system, and hand onto paper. In 2016 she expanded on the project with seven-foot wide drawings, made in collaboration with Kokoro Dance, dumb instrument dance, and Sujit Vaidya. Her drawings were exhibited at the 2016 Vancouver International Dance Festival.


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The Roundhouse is the Vancouver Park board’s only solely dedicated Arts and Culture Community Centre. The historic building is home to a 200 seat black box theatre, a 2500  foot exhibition hall and artist in residence projects in dance, music and the visual arts as well as a full roster of recreation programs

It is also the home of Engine 374, the locomotive that pulled the first passenger train across Canada from coast to coast.


For more information:
Roundhouse Community Arts and Recreation Centre
Website | 604.713.1800