Talking objects

Below are images of a work shown in progress through to completion, of the Porcelain Dining Room in the Chateau de Versailles. It’s a commission I’ve enjoyed making for a private home near Toronto.  The wide panoramic format was pieced together from individual photographs I took from a trip in France a number of years ago. I remember going through the chateau twice, the second pass offered a satisfying, golden afternoon light. The composition reminds me of the forced perspective one observes on the virtual tours of museum websites.

Porcelainpanorama-studioshotinprogress

Porcelainpanorama in progress
Day 3, Porcelain Panorama (working title), 36 x 72 inches, oil on canvas

Blocking in always begins with big brushes, to locate everything and establish colour family and main values. The next step in the painting is to use smaller brushes and go in for specifics of detail, sharpening edges and creating stronger focal points. I want the viewer to feel immersed in the space, with lots to encourage the eye to keep meandering, discovering new subtleties and maybe even surprises. It’s important to me that a painting unfold for the viewer slowly, to withstand the test of time.

In the final session something happened that wasn’t planned. Here’s the finished piece with its new title, Mantlepiece with Talking Objects (Versailles).

Mantlepiece-with-talking-objects(Versailles)-FINAL
Mantelpiece with talking objects (Versailles), 36 x 72 inches, oil on canvas, 2016

Working with the warm colors of the parquet flooring, gilding, and marble, really helped energize the gray days of winter.

porcelainpanorama-palette

 

 

I am a camera at Vancouver International Dance Festival

I’m excited to be creating new work from my I am a camera series, for a visual art exhibition at the Vancouver International Dance Festival, alongside dance photography by Chris Randle, and woven willow sculpture by Ken Clarke, March 3-19. The artwork will be displayed in the Roundhouse Exhibition Hall in Yaletown. A number of dance companies participating in the festival have graciously welcomed me into their rehearsal studios to draw them as they prepare for their performances. Seeing them at work is a beautiful thing––the  total commitment to their artform is palpable and so inspiring. I hope you will be able to take in the vast array of wonderful performances to choose from during the festival, scheduled at various venues.

There will also be free noon-hour life drawing sessions every weekday beginning Thursday, March 3 through Friday March 18 at the Roundhouse Exhibition Hall. Practice your drawing skills and let your creativity be inspired by dancers and life models posing in either costumes or plain clothes.

These public sessions, presented in partnership with the Roundhouse Community Arts and Recreation Centre, are open to all skill levels, are free, and require no pre-registration. Sketching paper, pencils, and other supplies are available for participants to borrow, courtesy of a generous donation by Opus Art Supplies.