The Pleasures of Art

In these difficult times, looking at and making art can help us get back in touch with the best things that humans are capable of–– a sense of play, a sense of excitement in the creative act.

The following excerpt,  from David Hockney’s book, That’s the Way I See It, reveals the artist’s philosophy on viewing and making art:

I have always believed that art should be a deep pleasure. I think there is a contradiction in an art of total despair, because the very fact that the art is made seems to contradict despair. It means at least that you are trying to communicate what you feel to somebody else and the very fact that you can communicate it takes away a little of the despair. Art has this contradiction built into it. All one has to do is look at its history.

A few years ago at the Metropolitan Museum of Art in New York there was a show of Fragonard. He is an artist who has been thought sometimes to be much too pleasurable, much too playful, much too sweet to be serious, and certainly in the early nineteenth century that’s how he was dismissed. It was only the Goncourt brothers who started looking seriously at his paintings and buying them.

Today we see him differently. To me Fragonard is a wonderful artist. I think you can’t have art without play; Picasso always understood that. I think you can’t have much human activity of any kind without a sense of playfulness. Someone once criticized my work, saying it was too playful. I said, That’s hardly a criticism at all, that’s a compliment. I do see it as a compliment because I believe that without a sense of play there’s not much curiosity either; even a scientist has a sense of play. And that allows for surprises, the unexpected, discoveries. Anybody who gets good at it knows that. You can use it. I use it. People tend to forget that play is serious, but I know that of course it is. Some people have got the idea that if it’s boring it’s art and if it’s not boring it’s not art. Well, I’ve always thought it was the other way round. If it’s boring, more than likely it’s not art, if it’s exciting, thrilling, more than likely it is. I don’t know of any good art that’s boring, in music, poetry or painting. Isn’t that why Shakespeare is so exciting?

You can find more information on David Hockney on the Artsy website.

Text excerpt from That’s the Way I See It, page 133 © David Hockney

The Painted Room

Detail of Dorosz's work
Chris Dorosz, detail Painted Room

‘The interior represents the universe for the private individual – his living room is a box in the theatre of the world.” – Walter Benjamin

Chris Dorosz is a painter who is pushing the work off the canvas and out into the space of the gallery. One might think of George Seurat’s divisionist/pointillist works when viewing Chris’ update on the traditional interior.  Chris states:

The Painted Room is a three-dimensional recreation of my parent’s living room made out of splotches of acrylic paint on hung monofilament. Benjamin’s quote is especially true for me; growing up as the only son in a military family, our living room was packed and unpacked innumerable times – becoming a depository of memory.

In walking around his pieces, one becomes aware of the space between atoms, the ephemerality of our existence on a molecular level.  Breathtaking and poignant, Dorosz’s work was exhibited recently at ICA in San Jose, California.

Jay Isaac and finding a new way

Jay Isaac
Jay Isaac

Jay Isaac is a Canadian painter who is carving out new territory by revisiting old approaches; he is making paintings of humble things, such as the view out his window.

I have not met Jay, but I first saw his work in a group show around 2002, at Vancouver’s Third Avenue Gallery. It was a picturesque view of a swan in a pond. I was struck by the voluptuous paint surface, the simple, endearing subject matter, and what came through to me was the sheer joy of painting. What’s more, dare I say it was beautiful? I still regret that I was not able to take it home with me, so I could enjoy it everyday.

A very interesting review about Jay and his work can be found in the current Border Crossings magazine, and you can also find him in the Magenta Foundation’s new book, Carte Blanche Volume 2: Painting.

Jay Isaac will be exhibiting his paintings at CSA Space in Vancouver (see Blogroll) opening May 1st. If you will be in Vancouver, this should be well worth a visit.

Aganetha Dyck: The Bees and I

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Hive Scan, Aganetha and Richard Dyck

Aganetha Dyck‘s exhibition Collaborations on now at the Burnaby Art Gallery is the result of her ongoing dialogue with bees. Her recent Hive Scans were created with the help of her son and his laptop computer. The printed results are very painterly, with blurring stripes that remind me of smeared paint, but which are actually the traces of bees in motion while the scan takes place.  These images are very tactile, capturing marks of pollen, honey, and wax left by the bees on the surface of the scanner.

Dyck often takes objects she finds or constructs, and places them in the hive during the bees’ active summer months. Check out her wax-encrusted braille tablets and her striking back-lit manufactured metal plates of text, all of which are a poignant reference to communication between humans and bees.